- #HELICON FOCUS BACK TO LIGHTROOM DNG HOW TO#
- #HELICON FOCUS BACK TO LIGHTROOM DNG MANUAL#
- #HELICON FOCUS BACK TO LIGHTROOM DNG FULL#
- #HELICON FOCUS BACK TO LIGHTROOM DNG ISO#
- #HELICON FOCUS BACK TO LIGHTROOM DNG SERIES#
#HELICON FOCUS BACK TO LIGHTROOM DNG HOW TO#
How to Focus Stack in Adobe Photoshop Lightroom Now, let’s jump into the computer to do the focus stacking. If you have one of these cameras, you can set the number of shots and the camera will automatically move the focus in each one. Some Nikon cameras have a ‘focus shift’ function especially for this kind of work.
Of course, sometimes three or four are enough, but it’s always better to be safe than sorry. So don’t be afraid to take a lot of shots. The more images you have, the more information there will be for you to work with. Then, repeat the photo as many times as you need, adjusting the focus point by moving it slowly towards the furthest point until you cover the entire scene. Take your first photo with the focus set in the closest part of the scene. Now that you have everything ready, it’s time to start shooting. If it’s too slow you can use a remote shutter or activate the timer mode so that you don’t cause any movement when you’re pressing the shutter. Then in third place, you can set the shutter speed which can be slow because you’re using a tripod. Keep it as low as you can to avoid any noise. I recommend that second in the priority list be the ISO.
#HELICON FOCUS BACK TO LIGHTROOM DNG ISO#
Then adjust the shutter speed and ISO according to the lighting conditions of your scene. So, find your lens’ sweet spot and set it as your aperture. That’s to say that between f/8 and f/11 you’ll probably get the sharpest image that your lens can capture. Having said that, lenses have a sweet spot at some point in the middle of their aperture range. The priority needs to be on the aperture because we’re working with the depth of field, and trying to get as much in focus as possible.Īs you know, a small aperture means a deeper depth of field, and a wide aperture results in a shallow depth of field. Also, if you’re using natural light try to do them as quickly as possible so the exposure doesn’t change in between shots.
#HELICON FOCUS BACK TO LIGHTROOM DNG MANUAL#
The ISO, shutter speed and aperture need to be set in manual mode to keep the exposure constant throughout the photoshoot. Since we’re on the subject, everything else has to be done manually as well. This means of course, that you have to use manual focus. This way you can zoom in and adjust the focus. If it’s possible, especially for macro photography, always use the live view. All your images are going to overlap and then blend, so the framing needs to be exactly the same.Īlso, if you’re working with a macro lens, the difference in focus is so small that you need to be extremely precise, which can’t be done hand-held. Let’s have a closer look at how to produced a stacked focus image.įirst of all, you’re going to need to shoot with a tripod. The example above shows my shoe which was shot by stacking focus and using auto blend in Photoshop. So, let’s start from the beginning and learn how to take the pictures you’re going to need for focus stacking. This is because you need a certain number of photographs covering every point of focus as material to work with.įocus stacking is used in everything from landscape photography through to product photography – you may have noticed that photos of jewelry are always in tack sharp focus from front to back, for example.
#HELICON FOCUS BACK TO LIGHTROOM DNG SERIES#
However, to get your series of focus stacked images, you need to plan on using the technique from the start of the photo shoot. This is focus stacking.Īs you can see, this is done in post-processing. Then, you ‘stack’ all these pictures and blend them together to get one photograph where everything is in focus. If you want to have your entire scene in focus but the depth of field is not enough, you can photograph it multiple times, placing the focus on different points.
#HELICON FOCUS BACK TO LIGHTROOM DNG FULL#
Including a foreground in photography (which is in focus as much as the background), is a great way to tell two stories at once, or simply show everything in a scene in full clarity to the viewer. How wide or narrow this is will depend on a combination of three things: the aperture, the distance between the foreground and the background, and the focal distance of your lens (which also determines how close you are to your subject). How much area of your picture is in focus is called the depth of field.
Focus Stacking allows objects in the foreground, middle-ground and background to remain in focus.